Friday, September 11, 2009

9

Saw this less hyped animated movie 9 and was pleasantly surprised worth a friday evening for sure :)
Shane Acker's new post-apocalyptic animated adventure 9 began its life as the young director's thesis project during his grad school days in UCLA's animation department. In that original incarnation, the film was an 11-minute silent short that plunged viewers into a desolate, destroyed world inhabited only by diminutive rag dolls loosely stitched together out of whatever odds and ends survived the unseen cataclysm. The short's striking visuals more than made up for its slender some might say, inscrutable plot. Synthesizing elements from Eastern European animation, Japanese animation and such live-action visions of the apocalypse as James Cameron's Terminator films, Acker created his own distinct futurescape that won the applause of audiences, several awards (including a 2005 Oscar nomination for Best Animated Short) and, best of all, the attention of A-list movers-and-shakers like Tim Burton, who set him up with the funds to turn his short into a full-length feature. Wisely adhering to that old maxim If it ain't broke, don't fix it, Acker uses this opportunity to expand the scope of the original short without fundamentally altering his vision to appeal to a broad mainstream audience. His only major marketplace concession was giving his characters voices, a decision that, while understandable, also turns out to be the film's most significant creative misstep. Clocking in at a swift 80 minutes, 9 unfolds almost in real time at a breakneck pace. As in the short, viewers experience events through the eyes of the title character (voiced by Elijah Wood), one of nine dolls whose origins are shrouded in mystery. The movie begins with 9 gaining consciousness in a dilapidated room in a bombed-out building inhabited only by a long-dead body. Venturing outdoors, he crosses paths with another one of his kind, who escorts him to a carefully hidden bunker where the surviving dolls live, making sure to avoid the mechanical creatures that roam the ruins hunting down any remaining signs of life.

A really interesting very well handled....worth a watch indeed :)

Sunday, September 6, 2009

The Taking Of Pelham 123

Tony Scott directs this remake of the original Palomar Production/Walter Matthau-starring thriller from 1974 with this Columbia Pictures production that pits Denzel Washington and John Turtorro against a group of hijackers, lead by John Travolta, who take over a subway train in order to rake in a hefty ransom. David Koepp (War of the Worlds) is adapting the book by author John Godey.

This version of The Taking of Pelham 1-2-3 splits the Walther Matthau character of Walter Garber into two persons (Denzel Washington as MTA Dispatcher Walter Garber, and John Tutorro as NYPD Hostage Negotiator Detective Camonetti), both of whose ordinary day is thrown into chaos by an audacious crime: the hijacking of a subway train that is in Garbers charge. John Turtorro plays the chief Hostage Negotiator who finds he is a fish out of water without Garber.

John Travolta co-stars as Ryder, the criminal mastermind who, as leader of a highly-armed gang of four, including a subway-knowledgeable henchman, (played by Luis Guzman), threatens to execute the train's passengers unless a large ransom is paid within one hour. As the tension mounts beneath his feet, Garber employs his vast knowledge of the subway system in a battle to outwit Ryder and save the hostages.

Camonetti starts the movie taking charge of the situation, suspecting Garbers complicity, but realizes his mistake when his actions cause the death of a hostage. Realizing that only Garber can solve the problem, he spends the rest of the movie making Garbers job easier by becoming the Liaison between his SWAT Team and Garber. In the end, it is Garber who solves the riddle of how the criminals intend to get away with the money.

All in all a good movie to watch..

Saturday, August 15, 2009

Kaminey

Mindblowing,awesome,fabulous are the adjectives keep coming to my mind when asked about this masterpiece Kaminey.

Vishal Bhardwaj take a bow....you have done an outstanding job..

KAMINEY is bold, stark, funny and unpredictable and that's what works in its favour. There're two more reasons: Shahid Kapoor and of course, 'Dhan Te Nan'. Okay, we've seen Shahid pitching in a sincere act in his earlier films, but KAMINEY should catapult him to superstardom. His double role in KAMINEY is exemplary.

There's another star in KAMINEY and that's 'Dhan Te Nan'. Your heart starts beating faster every time you hear this in the background or also when Shahid breaks into the song.

KAMINEY is not the usual masala film. Sure, it's a well-made film, but there's no spoon feeding here. One has to be attentive, very attentive to grasp the goings-on and also the twists in the tale. It's not one of those lock-your-brains-at-home types, for sure.

KAMINEY is a film with an attitude. Like it or leave it, but you'd never be able to ignore it. Word from the wise: Go for this hatke experience!

KAMINEY is about a pair of twin brothers, Charlie and Guddu [Shahid Kapoor]. Charlie lisps, while Guddu stammers. They are as different as chalk and cheese. And they can't stand the sight of each other. Till one fateful rainy night, their lives cross.

Charlie gets mixed up in a deathly get-rich-quick scheme, while Guddu realizes that the love of his life, Sweety [Priyanka Chopra], has unwittingly put a price on his head. The brothers are sucked into a world of drugs, guns and money. Their lives collide head on with the lives of gangsters, rebel soldiers, rogue politicians and crooked cops.

The brothers have to run to protect themselves, their dreams, their love. And most importantly, realize that all they have is each other.


A must must watch..


Sunday, August 2, 2009

Love Aaj Kal


Powered by: Chakpak.com Love Aaj Kal

Love Aaj Kal - Refreshing light entertainer, the whole concept of two love stories running parallel to each other in two different era is really awesome and refreshingly new ...

Everyone had humongous expectation from Love Aaj Kal as it was Imtiaz Ali's next directorial venture after his super successful movie Jab We Met which we had enjoyed immensely and the box office collection speaks for it too..And let me tell you with Love Aaj Kal he(Imtiaz Ali) has only taken his storytelling skills further to a far more superior level.

Coming back to Love Aaj Kal it's a love story sure, but it's not one of those mundane love stories that talks of love and heartache. Here, the two stories, set in different eras, run parallel, but have a similar end. The relationships here are complex because the couple in love lives in complete denial. It is to Imtiaz Ali's credit that he has penned an offbeat story, developed a complex but comprehensive screenplay and extracted sensitive performances from the principal cast.

LOVE AAJ KAL makes you fall in love with love all over again. Makes you value your loved ones all the more. This film is special! LOVE AAJ KAL travels multiple continents and different eras. The subject matter is novel, never attempted before..

The other era is shown in sepia which i thought was a novel idea it really takes you back to time and shows us in a nice manner what we are missing out these days in these fast paced lives of ours.

The second hour is the soul of the film. Right from the time Deepika decides to marry, till the last reunion, the film touches an emotional high. The sequence of events that lead to the culmination is incredible. Saif's interaction with Deepika at the marriage, or the gradual change in Saif's behavior in the U.S. in the course of a song, or the realization that marriage was a big mistake... moments like these take LOVE AAJ KAL to new heights.

The music of the movie is quite pleasant.'Twist' [already a rage], 'Aahun Aahun' [foot-taping], 'Chor Bazaari' [melodious] and 'Dooriyaan' [melancholic], each song is a gem. N. Natarajan Subramaniam's cinematography is fantastic.

Both Saif and Deepika come up with their career-best performances in LOVE AAJ KAL. Saif carries the most difficult parts with remarkable ease. Sure, we've seen him as the cool, urban guy in several films, but this one's the most demanding role and only a seasoned actor could have delivered it with such precision.

Deepika looks woooow from the word Go. Most importantly, in LOVE AAJ KAL, she acts very, very well. Matching up to Saif is no mean achievement and she does it in several scenes. This should be the turning point in her career. Rishi Kapoor is top notch. The actress enacting the role of Harleen is pretty. Rahul Khanna does well in a small, but significant role. Watching Neetu Kapoor in the end sequence is a definite pleasant surprise. She's so graceful as always.

A must watch for sure..

Tuesday, July 28, 2009

Night At Museum - Part 2

Night at the museum a definite fun to watch kind of movie for sure.One needs to just leave the logic and thinking caps behind..The historic characters are not just new and improved but also come with a greater comic value. In what the film lacks in a relatively mundane storyline, it compensates with a wonderful underlying message. There's also a love story again but what struck me as more potent was the greater bond that exists between the rest of the characters; Larry and Jedediah, Jedediah and Octavius etc.Hank Azaria was brilliant as Kahmunrah especially in the way he could turn from serious evil to light-hearted joker in the blink of an eye. Speaking of which, him and his trio of evil helpers were fantastic together.I loved the character played by Amy Adams too very ahead of the times..All in all a nice light hearted entertaining movie worth a watch.